The fictional room I construct brings together two forms of feminine divinity: the goddess and the mother. It sits between the symbolic space of the temple and the intimate space of the home. The room illustrates a historical narrative and creates a situation in which memory can be encountered physically.

The material presence of the room thus enables a form of material-oriented ontology, which positions things and materials as integral and entangled parts of social relations and worlds. Every choice, from the specific placement of the breasts to the selection of rusted fabric, is a deliberate arrangement that transforms the space from a mere location into an active participant in social and spiritual repair.